• by Saara El-Arifi

    I just finished reading a Young Adult trilogy called Ending Fire. It was pretty far outside of my comfort zone and will probably be the only YA I read for some time now, but I thought the worldbuilding was incredible, and I hope to read more of the author’s work in the future. The trilogy consists of three books: The Final Strife, The Battle Drum, and The Ending Fire. The entire series is fantasy, but the first one leans more towards the romance genre and incorporates traditional romance tropes, such as enemies to lovers and a love triangle. The first was my favorite of the series by far (I’d give it alone a 5/5), and I could see myself re-reading it as a comfort book in the future. The second was equally compelling, although much more heavily embedded in traditional fantasy. I loved the Middle Eastern and African influence on the cultures, religions, and geography of the series’s world. The characters were also fantastic—even the terrible ones grew on me by the end.  

  • “There is a spot for you in Heaven, but only if you’re willing to open your heart like a door to Him,” Pastor Samuel had said that morning in his East Texas drawl, leaning on his podium. “Open your heart and let Him in.” 

    Susannah was trying. She wanted to be close to Him.

    She saw the joy in her friends’ eyes when they spoke of their journeys. “I was afraid to let Him in,” Isabella told her, “but when I did, it was like I turned into this whole new person. A whole new me.” 

    Sarah, Susannah’s best friend and the pastor’s daughter, told her testimony like she was writing scripture: “One day, I was laying outside in the hammock reading one of those pagan fantasy books I know I’m not supposed to have. And His voice came to me, as clear as day, and told me to put the book down. He told me I don’t need to resort to those sorts of false idols to feel the wonder of the world He has made. He told me to ask for forgiveness, and I fell out of the hammock crying and crouched on my knees and begged him to forgive me. And he did, and he asked me to let Him into my heart where He can guide me and be with me always. So I did, and nothing has been the same since. I don’t need those books anymore–I mean, I never did, but now I really understand that, you know?” 

    “Please,” Susannah was begging God. “Please, please, please. You are all I want, and I am begging you, please, come into my heart like you did for the others.” She waited. She was crouching on the cold tile floor next to the bathtub, arms propped up on the tub’s ledge. The sound of rushing water from the faucet covered her tear-mingled prayers. “Please,” she said again, and wept. She felt nothing. She placed her Bible gently on the bathmat by the sink, out of harm’s way, and cast one arm violently across the tub’s edge, sweeping the assorted toiletries—the apple cider vinegar shampoo, the unscented body wash, the farmer’s market goat’s milk soap, and the mason jar of homemade coffee scrub—into the scalding water.

    “Why don’t you want me?” she whispered.

    –––

    When they were little, Pastor Samuel told the children that those who died too young to accept Jesus into their hearts would be saved, still, because the Lord took pity on those who could not save themselves. The Lord was generous, and he was kind. He would not sacrifice those who were too young to understand what had been asked of them.

    At seven, age twelve sounded like the grandest, most mature age a person could be, and so, she thought, that must be the cutoff. She wasn’t pressed for time. Twelve was a long way away. She was good at math (in fact, she loved the homework, and her teacher, Ms. Page), and she thought five years would be enough to make Jesus want her. Five years would be enough to make herself so lovable he couldn’t bear to reject her. 

    She was wrong.

    Susannah focused all her energy on being a good girl, and she knew her parents were telling the truth when they told her they were proud of her. She always apologized when she made a mistake. She always asked for permission, and she didn’t keep secrets. When she was alone, she pleaded with God, begging Him to save her before she was too old to be saved, but when He didn’t answer, she pushed the fear aside. There was still time. 

    –––

    Eight years old. Four more years.

    –––

    Nine years old. Three more years.

    –––

    Ten years old. Two more years.

    –––

    Eleven years old. One more year. Susannah went to a Christian camp that summer, her first week-long stay away from home. It was a hard sell to her parents, but if Pastor Samuel was letting his precious Sarah go, surely it must be acceptable for their pure-hearted daughter. 

    They drove two hours to the camp in the woods and dropped her off at the main hall with a final warning to be good. 

    “This place will do wonderful things for your relationship with Jesus. Just give it a chance,” her mother told her.

    The camp was fine, kind of boring, but they let the kids kayak and swim in the lake nearly unsupervised. Susannah was too busy to ruminate on the absence of God’s love in her heart. She let her mind be empty, and for the first time, she felt the way she imagined the other kids did. She read the letters from her mother in the dimly lit cabin with the other campers, and she felt, if not quite loved, at the very least cared for. 

    –––

    Her twelfth birthday came exactly two months after the last day of camp. The days leading up to it were excruciating. She wept every night after curfew, pressing the pillow to her face to muffle the sound. She begged, she pleaded, she argued with God. He never answered. 

    She snuck into her parents’ bathroom, held the small orange bottle filled with the pills her mother took for migraines. Two years previously, Miss Evelyn down the street had killed herself with a bottle of pills. The kids weren’t supposed to know that, obviously, but all it took was one decent eavesdropper for the whole youth group to know. Before they knew it was pills that did it, the rumors surrounding her suicide became so widespread that Pastor Samuel had to sit them down after church one week to ask if they knew the gravest sin a person could commit. 

    “Murder?” Isabella asked.

    “Not obeying your parents?” said one of the younger kids.

    “No,” Pastor Samuel chuckled, shaking his head. “Not either of those, not even murder.” 

    He grew solemn, any trace of laughter gone. “The worst sin a person can commit is murdering himself.”

    “Or herself,” Sarah muttered.

    “Well, sure, murdering herself,” he said. 

    “Like Miss Evelyn?” someone asked.

    “Yes, exactly. Exactly like Miss Evelyn. You must never let yourself be tempted by Satan the way she was. If you are, you’ll send your soul straight…” he pointed towards the ground. 

    Susannah put the pills back in the cabinet.

    –––

    On the day of her twelfth birthday, she couldn’t get out of bed. An invisible weight pulled her back down every time she tried. Her parents thought she was sick. Only when Mother took her temperature and Father threatened to drag her out of bed himself did she finally find the strength to rise and get herself dressed. It was a Saturday, and they were all going to the zoo. Susannah cried at the gorillas in their PVC-walled prisons, and she cried on the way to the restaurant, and again during dinner as she blew out the candles. She smiled through it, and her father remarked what a wise girl they had raised to have such a mature fear of the passage of time so young. She laughed bitterly when he said it, but she wondered, too, if it might be true. 

    Susannah went back to camp with Sarah and Isabella in the summer, and the girls found it changed from what they remembered. The camp director had been replaced, and the new one, a stout middle-aged man with oil-money inheritance, a beer belly, and a ruddy face, brought with him an utter transformation. They had renovated the worship hall from a simple, comfortable gathering room to a grandiose auditorium with a raised stage in the center and a sloped floor. The outdoor activities were no longer independent activities to complement the Bible studies and worship gatherings, but instead, themed activities designed to emulate aspects of God’s will. The rock wall was demonstrative of how He would always catch them when they fell, the zipline into the lake revealed how human invention would always end in His creation, and even the swimming pool had received a hasty mural imitation of Noah’s Ark, reminding them of the danger that could come with forsaking His will. She could not escape the threat of her imminent future for even a moment. 

    The evening prayer sessions, previously independent casual studies and conversations with their cabin, were campwide affairs. The camp had hired a band, which sang a repetitive style of alternative rock that made the older kids want to raise their arms and sway. 

    On the last night of camp, Sarah and Isabella braided her hair into two French braids. They tried to do it Katniss-style first, wrapped in a single Dutch braid around her head, but her hair was too coarse, and by the time they got to the end, the braid was too thick to sit properly. They braided one side each, comparing after every few strands to make sure there was some aura of symmetry. 

    “We’re your best friends, aren’t we, Susannah?” Sarah asked. Susannah agreed. The girls giggled. They weren’t Susannah’s only friends, but they were the only ones she thought might be good enough to get her into Heaven, so she exerted most of her energy on them. She guessed that was what God would want if he ever answered her.

    “You’re my best friend too,” Sarah said, and hugged her tight. 

    With fresh braids, a spoken confirmation of friendship, and a brand new center to show them off to, Susannah felt the closest to the feeling of safety she’d experienced the previous summer. She raised her arms and swayed to the music with Sarah and Isabella and, for the first time in seven days, didn’t feel like a fool doing it. 

    After the music ended, the camp director ascended the stage. 

    “Now, everyone, let us bow our heads and pray, and when we’re done praying, I want you to keep your heads down and your eyes closed,” he said. 

    “Dear God, thank you for bringing us together in this space away from the daily sins of the world, this place where we can praise your name and come together to worship you. We have all learned so much from each other and from You this week, and we’re committing to being the best servants we can be as we go forward from this place…” He went on for some time. Susannah tried to listen, but Sarah was poking Susannah’s foot with her toes and distracting her.

    “Amen.” 

    “Amen.” Susannah echoed. 

    “Now, keep your eyes closed. I know some of you have already opened your hearts and your minds to Him, and I commend you for that. Some of you might not have had the opportunity to do that yet, and that’s okay. There’s no judgment. This is a safe space. But, I urge you, while you’re in this safe space with your peers and your counselors around you, think about all the good that God has done for your life. He loves you, and He wants to be with you always. 

    “I want to give you all the opportunity to accept that love, which is why we’re doing things a little bit differently tonight. While we’re all sitting here with our eyes closed, I want to invite those of you who are ready to accept Jesus into your hearts to open your eyes and look up. That’s all you have to do. Just look up. We’ll take it from there. Our counselors are ready to come get you and take you somewhere private where you can talk together about this next stage of your faith.” 

    Susannah held her breath. A single tear trickled down her cheek and fell onto her lap. She felt Sarah and Isabella on either side of her, unmoving. She knew they would not need to lift their heads. 

    She was cornered. She could lift her eyes and go with the counselor, beg them to save her, to help her understand what she needed to do to make God love her, but the girls would know. And they would inevitably tell their parents, who would tell her parents, who would be so ashamed to have a child who had not committed herself to God’s love by the ripe old age of twelve. She wanted Heaven more than she had ever wanted anything, but she could not bring herself to raise her head. She let her last chance go. 

    –––

    Everyone at church said that she came back from that second summer camp renewed. She was quieter, calmer, more willing to raise her hand to answer in Sunday school. Her teachers described her as eager to please. She did her homework without being asked, she helped her parents with the laundry and the dishes, and she accepted her younger brother’s tantrums without complaint. She was an angel, they said. 

    Susannah alone understood the bargain she had made. She had exchanged the possibility of temporary shame for an eternity in hell. She would spend the rest of her life repenting, and it would not be enough. 

    –––

    In tenth grade, Sarah started dating her first boyfriend, Jake. Pastor Samuel was not pleased, but he agreed to meet the boy and his parents on a tense triple-date at a smoothie shop. The boy’s parents attended the Baptist church across town, with whom Pastor Samuel had a falling out a decade earlier. To everyone’s surprise, the families got along splendidly. Pastor Samuel decided Sarah could keep seeing Jake on carefully selected daytime dates in heavily crowded areas where he and his wife may or may not be keeping an eye out for any uncouth behavior. Sarah was thrilled.

    Isabella wrote her a long letter expressing her joy at this new phase of Sarah’s journey, but Susannah? Susannah resented the whole mess. Sarah barely had time for their weekly Wednesday Bible studies–how dare she think she had time to date? 

    It had recently become a struggle to remind herself that the other girls did not find themselves in her predicament. When you were certain about your glorious eternal fate in God’s heavenly house, obviously, you would have more wiggle room for impure behavior. 

    On June 4th, a Tuesday, when Sarah had been seeing Jake for nearly two months, Susannah and Isabella waited outside the local Cinemark in the sweltering heat for their monthly movie night. The movie, an ambiguous and unremarkable superhero movie featuring the current mid-20-year-old heartthrob scheduled for 7:00, was inching closer by the second. 

    Sarah was not answering her phone.

    “Do we go inside without her?” Isabella asked.

    Susannah sighed. 

    “I’m going,” Isabella said. “It’s too hot out here. She can figure it out when she gets here.”

    They went inside. Susannah kept her phone on her lap the entire movie, her fingers tapping on the phone case until Isabella reached over and smacked her hand away. It never buzzed. 

    The girls always asked their parents to pick them up thirty minutes after the movie ended so they could have time “to chat about the film,” or, in other words, to gossip. Fifteen minutes before pickup, Sarah called Isabella. Her voice, on speakerphone, sounded frantic. 

    “I’m so sorry, y’all, I was with Jake. We were talking and we just lost track of time and my phone was dead so I didn’t hear you calling.” Sarah was rambling. “I didn’t mean to miss the movie, I swear. Please don’t tell your mom, please, please, please. Is she there yet?” she asked. 

    “Don’t even worry about it! I’m glad you and Jake are having fun,” Isabella said, emphasizing the “having fun” suggestively. She poked Susannah while she spoke. Susannah rolled her eyes. 

    “We’re on our way right now. I’m about 15 minutes away—do you think I’ll get there before her?” Sarah asked. 

    “Why does it even matter at this point?” Susannah asked.

    “Ignore her,” Isabella said. “Yeah, you’ll get here before her. Just tell Jake to drive fast.”

    Sarah and Jake made it—barely. Susannah gave them both the cold shoulder, literally turning her back to Jake’s pickup truck. She could hear them kiss, slowly, loudly, even with her back turned. Isabella giggled. Susannah tried not to gag. 

    –––

    They jumped on the trampoline in silence, in the dark. Sarah’s face was backlit by the glow of the porch lights, and Susannah couldn’t bring herself to look at her. Soon they would all have boyfriends and separate lives, and they would leave her, and Susannah would have no choice but to let it happen and pretend to be happy. When Sarah went inside for a second popsicle, Isabella smacked her hard on the arm and hissed, “You’re being a bad friend.” Susannah did not care. 

    Susannah ignored Sarah’s texts for days. Finally, begging, Sarah called her and left a voicemail asking for a sleepover. “If something’s wrong, let’s just talk about it,” she said. Susannah didn’t want to talk about it, not really, but she did miss Sarah. At least, she missed how Sarah used to be, before Jake. 

    –––

    “When do you have to go home?” Sarah asked the next morning. Susannah thought it would be awkward, being alone with Sarah after the past few days, but it felt like old times. They didn’t talk about the movie. 

    “Not too early, my mom said I can stay as late as I want as long as I get the chores done before dinner,” Susannah said.

    “Good.” Sarah cleared her throat. “I have something I wanted to tell you.”

    “Yeah?”

    “Can we go back up to my room first?” Sarah asked. “Just in case anyone comes home?

    They sat together on Sarah’s turquoise shag rug, speckled with bits of glitter from years of craft projects. Sarah gave Susannah a neon green fleece pillow to sit on. Susannah hugged it tight to her chest instead and tried to stop herself from curling into a ball.  

    “You know the other day, when I didn’t show up to the movie?” 

    Susannah nodded. 

    “It wasn’t because my phone died.” She twirled her hair between her fingers.

    “Yeah, I figured,” Susannah said, trying not to look at her. 

    “I was with Jake, but we weren’t just talking.”

    Susannah chewed on her thumb nail. 

    “His parents weren’t home.” She wasn’t looking at Susannah now, either. “We were making out, and…” She trailed off, seemingly wanting Susannah to get some kind of message she wasn’t getting. 

    “And?” Susannah asked. 

    “We had sex,” Sarah whispered. “It just turned into something else. I didn’t mean to when I went over, but I didn’t stop it either.”

    Susannah buried her face in the pillow. 

    “It was sweet, pretty awkward, honestly, but it didn’t hurt or anything like I thought it would.”

    Susannah did not want to hear anymore. She felt sick to her stomach. She felt disgusting. She wanted to shower, to try and wash off what she was hearing, but to move would be to acknowledge what Sarah was saying.

    Sarah lowered her voice to a whisper. “Don’t tell anyone, but he actually cried after. I’ve never heard of a guy doing that before.”

    Susannah was silent. It took every once of willpower in her body not to cover her ears with her hands. 

    “Hello?” Sarah said.

    Susannah turned her head so that one eye was uncovered and started at her.

    “Your reaction is scaring me,” Sarah said. Susannah barely heard her through the roaring in her ears. The tightness in her chest was all-consuming. Her heart felt like it was trying to beat out of her chest. 

    “Hmm,” Susannah finally let out.

    “Are you not going to say anything?” Sarah asked. 

    “I don’t have anything to say.”

    “I’m telling you this because you’re my smartest friend and the least judgmental.”

    Susannah knew neither of these things were true, but she didn’t expect Sarah to know that. Susannah was an incredible actress. 

    “Right,” Susannah said. 

    “I mean, you’re not judging me, are you?” Sarah said.

    “No, of course not,” Susannah said. She didn’t know if it was true or not. “I just don’t know what to say.”

    Sarah seemed to be satisfied with this response, or at least pretended to be, and Susannah kept her horror stifled.

    ———

    In the dark hours of the morning when she was usually either fast asleep or praying for mercy, Susannah lay on her back in her bed and grappled with the complexity of the situation she found herself in.

    Lying to Sarah: sin

    Hiding a secret from her parents: sin

    Hiding a secret from Sarah’s parents, too: maybe a sin? Probably a sin. 

    Breaking her promise to Sarah: not technically a sin, she didn’t think, but it still didn’t seem right. 

    But, being complicit in Sarah’s violation of the body, the temple, that God had given her: that had to be a sin, right?

    She prayed for an answer, but for the first time, she had no remaining shred of hope that God would hear her. She was alone. 

    When she slept, it was not restful. In her dream, she was dead. She was in a line, waiting to speak to a guardian in white robes, when a long line of prisoners in drab gray jumpsuits were guided past. In the lineup of ambiguous faces, Susannah saw Sarah. Her hands and ankles were chained. She shuffled along slowly, eyes downtrodden. No one spoke, no one acknowledged Susannah at all, but she knew it was her fault. Sarah was there because of her. 

    Susannah never told Sarah she wouldn’t tell anyone her secret, not explicitly. It was one of the unspoken rules of the trio’s friendship: don’t gossip about each other, except with each other, and don’t repeat anything said to anyone else. Especially not to parents. 

    Do the unspoken promises still count? Is it still a betrayal of Sarah’s trust if she tells, even if she never said she wouldn’t? 

    When Susannah finally gave in, when she finally told her parents, who told Sarah’s parents, she did it half-heartedly. The words had halfway left her mouth before she understood the choice she was making. Sarah would never forgive her, and neither would Isabella. She would be as alone in life as she would in eternity, although for the latter she was, at least, still holding out the tiniest hope for. A friend may be a friend for now, but a sin is a sin is a sin. She couldn’t lose another chance at God’s love. 

    The hand of justice was swift and exacting. Sarah’s parents pulled her out of her guitar and singing lessons, and she was barred from all future sleepovers indefinitely. Her cell phone was confiscated, her bedroom door removed, and Jake was established as an unspeakable name in the Miller household. 

    Sarah glared at Susannah when she passed her in the school hallway on the first day of the semester, and Isabella didn’t look at her at all, which was almost worse. When Susannah tried to sit with them in the cafeteria, Isabella held up her palm to her face and simply said, “No.”

    Susannah started eating her lunch in the band hall, where she wasn’t technically alone—five or six other students ate there, too—but she felt like the only person alive. 

    In October, Susannah caught up to Sarah walking home (rides from Jake no longer being permitted) and tried to grab her arm. Sarah pulled away before she could reach her.

    “What do you want?” Sarah asked.

    “Sarah, I’m so sorry,” Susannah started.

    “I don’t want to hear it.” 

    “I thought I was doing the right thing,” Susannah said.

    “Excuse me?”

    “I didn’t want to sin,” Susannah said. 

    Sarah laughed.

    “Oh, so you just betrayed me instead? Without even talking to me first?”

    Sarah waited for a response. Susannah was silent.

    “How did that not feel like a sin to you?” Sarah asked.

    “I don’t know,” Susannah whispered.

    Sarah crossed her arms. “I’ll wait for you to think about it.”

    “I just wanted him to want me,” Susannah said. 

    Sarah scoffed. “Jake? You have a crush on Jake?”

    Susannah almost could have laughed. “No, no, no,” she said. “God”

    “What the hell does God have to do with this?” Sarah asked. Susannah flinched when she cursed. 

    “I wanted God to love me,” Susannah said. 

    “You betrayed me and told everyone my secret because you wanted God to love you?”

    Susannah nodded. 

    “You’re even more fucked up than I thought you were,” Sarah said. 

    –––

    Crouched on the cold bathroom floor, Susannah pleaded with God, but for the first time, she didn’t know what she was asking him for. She did not want to go on. She wanted a redo, to start over as someone that Jesus loves. She wanted to start from scratch.

    She waited until her parents left for work in the morning, then rifled through her father’s tool kit in the garage and took out a single razor blade. She held it up in the fluorescent light. She thought about trying to cut her arms, staring hard at her reflection in the bathroom mirror, but she couldn’t bring herself to do it. 

    “Your body is a temple for Him,” she heard her mother’s voice whispering in her ear. She screamed, a raw, guttural scream, and dropped the razor in the sink. She slapped herself across the face. And again. And again. 

    She hit herself until her skin was raw and red, and she worried it might leave a mark, but it didn’t. 

    “Why don’t you want me?” she screamed, and burst into tears.

  • by Vijay Seshadri

    Orwell says somewhere that no one ever writes the real story of their life.
    The real story of a life is the story of its humiliations.
    If I wrote that story now—
    radioactive to the end of time—
    people, I swear, your eyes would fall out, you couldn’t peel
    the gloves fast enough
    from your hands scorched by the firestorms of that shame.
    Your poor hands. Your poor eyes
    to see me weeping in my room
    or boring the tall blonde to death.
    Once I accused the innocent.
    Once I bowed and prayed to the guilty.
    I still wince at what I once said to the devastated widow.
    And one October afternoon, under a locust tree
    whose blackened pods were falling and making
    illuminating patterns on the pathway,
    I was seized by joy,
    and someone saw me there,
    and that was the worst of all,
    lacerating and unforgettable.

  • by Emma Copley Eisenberg

    2/5

    I wanted to like Housemates so badly. It was recommended by several people, and it sounds like exactly the type of thing I would usually love. A queer roadtrip? Yes, please! Unfortunately, this book missed the mark for me. 

    To start, the narration style was nonsensical, chaotic, and inconsistent. It’s seemingly told by a mythical elder lesbian artist who is sometimes omniscient, sometimes not. If you haven’t read this book and think this sounds cool, I promise, it’s not. It’s incredibly distracting and feels voyeuristic in a deeply unsexy and uncomfortable way—one of the worst narrator choices I have ever come across.

    I tend to have a strong personal dislike of books that force a romance where it doesn’t belong, just for the sake of having a romance. I love the idea of a sapphic romance in general, but this was one of the few exceptions where I feel like the story would have been more meaningful if they had stayed friends. Bernie and Leah had no discernible attraction, and the only thing that made it make sense for them to be romantic was the narrator’s assertions that they should be. I felt like the romantic aspect of the story was poorly done, and I would have loved to see some representation of platonic queer friendship and artistic collaboration. 

    I was also really perturbed by the author’s portrayal of fatness. It seems like she wanted to demonstrate the fatphobia exhibited by most of society, but instead, it comes across as weirdly fetishistic and over-the-top humiliating. Everything Leah does is topped with the extra commentary of her weight, her size, her body, her clothing. Instead of representing the struggle and discrimination she faces, it makes the reader feel embarrassed of her fatness, which is not how I ever want a work of fiction to make me feel about a fat character, speaking as a fat woman myself. 

    I think Eisenberg has a lot of promise, and I’ll still eagerly read her next work because I liked her writing style and the general idea of the novel, but I do wish she’d had a friend or editor sit her down and have a serious conversation with her about this novel before letting it be published.

  • It’ll happen like this:

    You will scrape the ice 
    off the windshield. 
    Slow, at first, carefully. 
    You will shovel the snow 
    into neat little piles for your kids 
    to scavenge for snowmen after school. 
    You will climb into the mid-size SUV, silver,
    and wring out your dripping wet jeans. 
    You will turn the key but the car won’t start. 

    The car won’t start.

    You will sigh, and sit back, and sigh. 
    You will sit for a long time. 
    You will think about the failures 
    that preceded this one and the minor 
    destinies that led you to this 
    episode of the multiverse. 
    You’ll think about your wife, 29, blonde hair, 
    brown eyes, five-foot-five in her kitten heels 
    that clack against the fake hardwood vinyl 
    of the home you bought when she was only 25. 
    You will open the car door, releasing a blast 
    of icy cold into cold, then, 
    you will close it again. 
    You will consider dying, 
    but not like that. 
    You will consider dying in the sense 
    that this man is already dead. 
    You killed him seventeen years ago,
    buried him in the backyard next to
    Lucy the chihuahua and the tomb 
    of the unknown raccoon. 
    You will remember the boy 
    who helped you dig the grave: 
    sweat stains bleeding dark green 
    down the neckline of his olive tee and 
    the wrinkles at the corners of his eyes and 
    the warmth of his hands on yours on the shovel. 
    You will envision a flash of eternity in this 
    millisecond of memory and 
    you will breathe for the first time since you were twenty-three. 
    Gasping, heaving breaths. 

    This is how it begins.

  • by Meg Freitag

    I have loved. I have
    Loved like someone leaving
    All the lights on

    All night long. Like even the white cotton
    Sun was stuck at its crux
    Above the houses, perpetually

    Swabbing the iodine sky,
    And no one the whole world over
    Slept for four years. I have loved

    Like being very small, swimming 
    In a saucer of warm milk, with no eyes.
    I have loved like a glass

    Of water on the bedside table
    With no water in it.
    I have loved like a ghost

    Wearing a bedsheet
    Ghost costume, as a disguise. Last week
    There was still a buoyant spot

    On the wall, from the face
    Of his watch, disappearing 
    For half a second each time

    He turned
    A page in his book. It never fails
    To astound me, the way 

    Each person has so many different
    Creatures inside them. Take me,
    For instance: a golden

    Lab lapping the condensation
    From a bottle of bear; a hunter
    That wants to make sure he can kill

    The animal with the first shot,
    As to not cause it unnecessary
    Suffering; a child

    Who does nothing but pretend
    To sleep; and this single
    Demonic little snake.

    I am beginning
    Again.
    Again, my life

    A sheet
    At the foot of the bed,
    Two holes where my eyes once were.

    At dusk the grocery store
    Parking lot fills up with ugly blueblack
    Birds. They dye

    The sky. Mothers
    Walk by, pressing their hands
    To their children’s ears. In the false night

    I sit in my car
    And eat a small white cake.
    It was half-off, someone’s else’s

    Name already written on it
    In green gel. Someone
    With my same name.

    With a plastic fork,
    I eat it all. Meg,
    I eat our entire cake.

    And it is delicious. So 
    Much lighter
    Than I thought it would be.

  • by Travis Baldree

    4/5

    This was one of the coziest fantasies I’ve read in a long time. If I’d managed to time my reading to be more in tune with the seasons, I would have saved this for the middle of winter. It’s as warm and comforting as one of the cups of coffee served at the books’ namesake fictional cafe. 

    As far as fantasies go, I thought this was incredibly accessible. There’s not much mental labor required to make sense of the worldbuilding, and the coffee shop that the main narrative focuses on is similar enough to a real world coffee shop that it’s easy to visualize. The characters are all incredibly loveable, with few villains other than those that can be easily persuaded to back off with a gift of a some heavenly pastries. 

    My only complaint is that I would have liked to learn more about Tandri’s backstory and for Viv’s and Tandri’s romance to have developed at a slower pace. They seemed to fall in love nearly overnight, which I understand is a standard trope of the romance genre, but it’s still not my favorite! It would have been nice to witness more intimate conversations between the two of them while they were still friends so that we could pick up on the more subtle nuances of their romantic feelings for each other.

  • The room is painted blue. The wooden bed frame, the quilt, the sheets, the nightstand, the lamp, the doorknobs, the window panes, the slippers by the bed. All blue. 

    She remembers the color before she remembers her own name. Blue

    Then, Clara

    Is that her name? No, someone else’s. She looks at her reflection in the mirror. No, Clara is someone else. 

    There is a knock on the bedroom door, and the door swings open. A man with a swirled mustache, wearing an early-20th-century butler’s uniform, stands in the doorway, holding a silver tray. 

    “May I come in?” he says.

    Not-Clara nods.

    He proceeds a few steps and dips into a dramatic bow as he presents the tray: “Your morning tea, madame.” 

    Not-Clara does not move. The man in the butler’s costume does not unbend, and Not-Clara does not for the baby blue tea cup and saucer in the center of the oversized tray. They are still for an impossibly indeterminate amount of time. 

    “Am I dead?” Not-Clara asks. 

    The butler does not acknowledge her question. He does not rise. She picks up the teacup, leaving the saucer, ignoring the pastel blue ceramic milk pitcher and the pile of blue sugar cubes. The tea is blue, too. 

    Pea flower, she thinks. 

    The man unbends, his mustache upturning as he smiles. He is her same height exactly. 

    “You are on vacation, madame,” the butler says. “I hope you enjoy your stay.” He closes the door behind him on his way out. 

    Not-Clara sits on the bed and drinks her tea. She has a distant, detached sense that she should be alarmed by her current situation, or frightened, but she is not. She feels nothing, but she is not numb. She wonders if this is the happiest she has ever been. 

    Another knock, and the door opens again—a woman this time, more like Not-Clara’s reflection in size and shape, but not in color. She is pale, almost ghostly, with eyes that match the room, wearing a loose cotton set in pure eggshell white. 

    “Hi there,” the woman says in a singsong voice. “You can call me Wendy.”

    “Hi Wendy,” Not-Clara says. She frowns. “I don’t remember my name.”

    “That’s okay! You don’t need one here,” Wendy replies. 

    Wendy guides her down a bright hallway to a white room, empty except for two white rubber mats and a vintage wired TV set. Wendy sits cross-legged on one of the mats and motions for Not-Clara to sit on the other. 

    A video plays on the screen. “This is morning yoga with Siena,” a chipper blonde woman says. Wendy copies the movements of the woman, and Not-Clara copies Wendy. They follow along with Siena—stretching, holding, stretching, holding. 

    “Now that you’ve warmed up your muscles, you’re ready to start your day!” Siena says. The screen goes dark. 

    Next, Wendy takes her through a kitchen to a garden filled with pink knock-out roses and orange lantana. Wendy hands Not-Clara a pair of gloves and a small shovel. Together, they sit on their knees on plush kneeling pads. They do not speak. Not-Clara pulls the weeds between her fingers, digging out the deeper ones with the shovel, and Wendy prunes the knockout roses with a pair of gardening shears. When Wendy is satisfied with their work, she fills a copper watering can from a hose in the corner of the yard and douses the plants. 

    Sweating and covered in a thin layer of dirt, Wendy takes her back to the kitchen. There is a pot on the stove that Clara did not notice before, letting out a steam that fills the room with the faint scent of green chilis. Wendy ladles soup from the pot into two bowls, and they sit on wooden stools around a tall granite countertop to eat. The soup is hot, in temperature and in spice. It’s filled with cubes of chicken and little white kernels that could be dumplings, or vegetables, or a type of grain. Not-Clara picks one of the kernels out of her bowl with her fingers and crushes it between her fingers. Soup dribbles down her arm.

    “Hominy,” Wendy says, watching her. Clara nods. 

    “Wendy,” she says. “Where am I?”

    “You’re on vacation,” Wendy says. 

    After they eat, they go down another new hallway. Wendy opens a door onto a deck, overlooking a sandy beach with crystal blue water. Not-Clara laughs with surprise.

    “I didn’t know we were at the beach!” she exclaims. Wendy beams at her.

    Wendy guides her to a singular beach chair on the shore, feet from the water. 

    “I have some work to do inside, but you’ll be fine here on your own. You can swim, if you want, or I brought you something to read.” Wendy hands her a book titled Great Expectations

    Not-Clara spends the afternoon alternating between reading and swimming. She lets the waves wash her body up to shore and creates angels in the sand. She finishes the book as the sun sets, the words of the last page barely illuminated by the dying light. And when she closes the book, Wendy is there again.

    “Ready for dinner?” Wendy asks.

    Dinner is in a different room—the dining room, Wendy says. The butler from the morning brings them each a plate of meatloaf, mashed potatoes, and green peas. 

    “Ice cream or pie?” Wendy asks her once they’ve finished. 

    “Ice cream,” Not-Clara decides.

    —————

    The next day is the same—tea, yoga, garden, lunch, beach, book, dinner, bed. She reads Pride and Prejudice. The next day: Catcher in the Rye. Then Treasure Island. The Hobbit. Jane Eyre

    On the seventh day, after she drinks her tea, Wendy greets Not-Clara with a surprise.

    “We have a guest today,” Wendy says. 

    Wendy leads her to the kitchen. 

    “What about my garden?” Not-Clara asks. 

    “It’ll be fine until tomorrow,” Wendy says.

    In the kitchen, the countertop is arrayed with a spread of foods Not-Clara recognizes but has not tasted yet. At least, not that she remembers. There are biscuits and gravy, grits, bacon, scrambled eggs, and an orange and green fruit salad in an ornate crystal bowl. 

    A woman is already sitting on one of the stools. She stands up when she sees Not-Clara and moves to hug her. 

    Wendy raises her arm to block her. “Not yet,” she says. The woman sits back down, and Not-Clara takes the seat to her right. 

    “Hello,” Not-Clara says. 

    “Hi,” the woman says, quietly. They sit in silence for a few moments. 

    “What’s your name?” Not-Clara asks.

    “Clara,” the woman says. 

    Not-Clara laughs. Wendy and the woman both startle. 

    “No, it isn’t,” Not-Clara says. The woman, Supposedly-Clara, looks at her, then at Wendy, then back to her. And then she starts to cry. 

    “Oh no,” Not-Clara mumbles. “No, no, no.” Wendy stands. 

    “You can be Clara, if you want,” Not-Clara says quickly. “I was just surprised to hear that name.” Clara nods and tries to smile. The kitchen is silent but for the sound of her quiet sniffling. 

    “Clara, can you guess what book we read yesterday?” Wendy asks.

    “Was it something by Jane Austen?” Clara guesses.

    “Close,” Wendy says. “She read Jane Eyre.”

    Wendy turns her attention to Not-Clara. “Clara is a professor of 19th-century British literature,” she says.

    “Oh?” Not-Clara says. “I liked Pride and Prejudice too.”

    Clara smiles. “You should read Emma next,” she says.

    Not-Clara leans over the edge of the countertop and grabs Clara’s hand conspiratorily. 

    “Can I ask you something, Clara?” she says. Clara nods. 

    “Where am I?”

    Clara’s eyes fill with tears again, and she looks over to Wendy for a long time before her gaze shifts back to Not-Clara.

    “You’re on vacation,” she says.

    —————

    When Clara visits next, Not-Clara has read Emma

    “Who was your favorite character?” Clara asks her.

    Not-Clara frowns. “I don’t remember,” she says. She can tell that Clara is dissatisfied with her answer. “No, actually, I do. It was Emma,” she lies. 

    Clara tilts her head, smiles, and squints at her. “I can still tell when you’re lying,” she says. 

    “I’m not lying. I liked her the best,” Not-Clara says. 

    “Really? What did you like about her?” Clara asks.

    “I don’t remember,” Not-Clara says. 

    —————

    The following week, Clara comes to visit wearing a suit. Wendy lets her hug Not-Clara this time, and Not-Clara cannot decide if she likes the contact. It makes her feel strange. 

    “You look nice,” Not-Clara says.

    “Thank you,” Clara says, sitting on her stool.

    Clara tells her about a presentation she’s giving that day, on the aesthetics of the Brontë sisters. 

    “Who are the Brontë sisters?” Not-Clara asks.

    “You know, like Charlotte Brontë.” 

    Not-Clara shakes her head. 

    “Charlotte Brontë, you know, who wrote Jane Eyre?”

    “Oh, I don’t think I’ve read that one yet,” Not-Clara says. 

    Clara glares at Wendy.

    —————

    The crystal bowl is filled with strawberries this week, and Clara is telling not-Clara about her favorite former students. One girl, who graduated two years ago, has just published an article in an online magazine comparing a pop singer’s breakup songs to Jane Austen’s characters. 

    Not-Clara is bored, but she listens patiently.

    “Do you have any kids?” Not-Clara asks when she’s done talking. 

    Clara laughs. “No,” she says.

    “Do you have a husband?”

    Clara stares at her for a long time before she looks away. Not-Clara can see her eyes filling up with tears.

    “Sorry,” Not-Clara says. “I didn’t know that was a sensitive subject.”

    “It’s okay,” Clara says, and rests her hand on top of Not-Clara’s. 

    “I don’t have a husband,” she says. 

    —————

    “Clara, where am I?” Not-Clara asks again the following week.

    “You’re on vacation, of course,” she responds, then mumbles something under her breath. 

    When Not-Clara doesn’t respond, she whispers again, only barely louder, “I’m trying to get you out of here.”

    “What do you mean?” Not-Clara asks.

    Clara shushes her. “I don’t understand exactly what they’ve done to you, I mean, I’ve seen your body and I’ve been trying to read up on the science behind it, but it’s still beyond me.”

    “I don’t understand,” Not-Clara says. Clara ignores her. 

    “Whatever of you is left in there, I need you to try to fight. I need you to try to hold on to as many memories as you can until I get you out.”

    Wendy is behind Not-Clara suddenly, pulling her off the kitchen stool by her arms and dragging her away. 

    “What’s going on?” Not-Clara asks. 

    “Shhhh,” Wendy says. “You’ll feel better once you’ve had some sun.”

    —————

    As Not-Clara turns the last page of The Awakening, a rare thought enters her mind: “Something isn’t right.” 

    The thought has barely arrived when another follows: “I want to go home.”

    “How ridiculous,” she says to herself. “This is my home.”

    “Go,” the voice in her mind responds. “You need to run.”

    Something in her body rises, and takes her to the shore. She imagines herself as Edna, her dresses billowing around her waist as she walks into the water. She closes her eyes. She walks until her head is below the waves, then further. Her body does not try to float the way she expected it to. Her lungs scream for air, and as her vision goes black, she imagines Clara framed by a bright halo of light.

    She gasps for air, and her lungs find it. She is six feet underwater, and she is breathing. A calm settles over her, and she realizes she already knew this was how it would be. She knew she could not drown. She walks up and away from the depths, and when her eyes rise above the waves, she sees Wendy waiting for her.

    “Did you have a good swim?” Wendy asks, smiling. 

    Not-Clara nods. 

    By the next time she wakes, she has forgotten about the incident in the kitchen and the non-drowning. She has forgotten the Brontës, again, and the story about Clara’s favorite student.

    What she remembers: Hominy, roses, the smell of salt, a book about a woman who dies, maybe, or perhaps just goes for a swim, and Clara’s face against a backdrop of searing light.

    —————

    Clara does not come back to visit the next week. 

    Wendy lets her spend the whole day at the beach, in the absence of a visitor, but Not-Clara cannot focus on her book. At dinner, when Wendy asks about her day, Not-Clara finds she doesn’t remember the title. She is overwhelmed with a sudden feeling of dread, an emotion she only recognizes because she thinks she remembers reading about it somewhere.

    “Wendy, am I real?” She asks.

    Wendy laughs, then looks at her very seriously. “Yes, you are real.”

    “Wendy,” she says again. Wendy looks at her curiously. “Yes?”

    “Are you real, too?” 

    Wendy only smiles in response. 

    —————

    In her blue room, on the fifteenth day since Clara’s first absence, Not-Clara wonders once again if she is dead. She does not feel dead when she’s swimming, or when she’s eating. She does not feel dead when she’s stretching with Wendy in the morning, feeling her muscles stretch and hearing her joints pop. She wonders if perhaps she is insane, and the tea they bring her in the morning is not tea at all but rather a strong sedative, which keeps her calm and strange and forgetful. Perhaps it is not such a bad thing to be strange and forgetful, if you can also be calm. 

    —————

    One morning, while she and Wendy are walking down the long hallway to their morning stretch, Not-Clara hears Clara’s voice. It is coming from nowhere and everywhere, as if she were speaking through an intercom. She sounds like she’s arguing with someone Not-Clara cannot hear. 

    “Just let me talk to her, please,” she can hear Clara begging. 

    “Do you hear that?” Not-Clara asks Wendy. Wendy looks at her with a blank expression.

    “I don’t hear anything,” Wendy says. 

    That night, when Not-Clara lies down in her blue bed, she finds she can’t sleep. Every time she closes her eyes, she hears Clara’s voice. 

    “Try to hold on to as many memories as you can,” she says to herself in the dark. She gets out of bed. It has never occurred to her to leave the room on her own. She has always waited for the butler or Wendy. 

    “Try to hold on to as many memories as you can,” she says again. She reaches for the doorknob.

    It is unlocked. She is in the hallway now, and she is running. The butler reaches for her out of the darkness, trying to pin her arms behind her back, but she shakes him off. She is faster than he is. She is going to make it. She is going to get out. 

    An alarm sounds overhead. 

    “Prisoner 237, return to your room,” a man’s voice says. She keeps running.

    “Clara!” She yells.

    “Prisoner 237, return to your room.”

    She reaches for the first door she sees that she doesn’t recognize. It is a deep mahogany, a striking contrast against the lighter woods of the rest of the house.

    “Prisoner 237, return to your room.” 

    The door is locked with a deadbolt and a chain, and her fingers fumble as she rushes to unlock it. 

    “Prisoner 237—”

    She throws open the door.

    There is nothing beyond the doorway. 

    No floor, no ceiling, no ground or sky or horizon line.

    There is only blue—a pure, suffocating, luminescent blue.

  • by Wisława Symborska

    They say I looked back out of curiosity,
    but I could have had other reasons.
    I looked back mourning my silver bowl. 
    Carelessly, while tying my sandal strap.
    So I wouldn’t have to keep staring at the righteous nape
    of my husband Lot’s neck.
    From the sudden conviction that if I dropped dead 
    he wouldn’t so much as hesitate.
    From the disobedience of the meek.
    Checking for pursuers.
    Struck by the silence, hoping God had changed his mind.
    Our two daughters were already vanishing over the hilltop.
    I felt age within me. Distance.
    The futility of wandering. Torpor.
    I looked back setting my bundle down.
    I looked back not knowing where to set my foot.
    Serpents appeared on my path,
    spiders, field mice, baby vultures.
    They were neither good nor evil now—every living thing
    was simply creeping or hopping along in the mass panic.
    I looked back in desolation.
    In shame because we had stolen away.
    Wanting to cry out, to go home.
    Or only when a sudden gust of wind
    unbound my hair and lifted up my robe.
    It seemed to me that they were watching from the walls of Sodom
    and bursting into thunderous laughter again and again.
    I looked back in anger.
    To savor their terrible fate.
    I looked back for all the reasons given above.
    I looked back involuntarily.
    It was only a rock that turned underfoot, growing at me.
    It was a sudden crack that stopped me in my tracks.
    A hamster on its hind paws tottered on the edge.
    It was then we both glanced back.
    No, no. I ran on,
    I crept, I flew upward 
    until darkness fell from the heavens
    and with it scorching gravel and dead birds. 
    I couldn’t breathe and spun around and around.
    Anyone who saw me must have thought I was dancing.
    It’s not inconceivable that my eyes were open.
    It’s possible I fell facing the city. 

  • by Alexandra Tanner

    2/5

    This book was interesting and well-written—it just wasn’t really my thing. It follows two sisters in New York City as they navigate situationships, new jobs, and the complexities of mental health. This would be great for fans of novels like Ottessa Moshfegh’s My Year of Rest and Relaxation
    Worry is more character-driven than plot-driven (it doesn’t have a defined plot at all), which I sometimes enjoy, but it just didn’t work for me this time. I found the main character to be whiny, self-involved, and mean. She did not grow or change in any recognizable way by the end of the book, and neither did her sister Poppy or her unbearable mother. The conflict between the two sisters, and between each of them and their mother, is frustrating but unchanging, and it never reaches a climax or a resolution. Nothing comes of anything. Although, to her credit, worry was one of the emotions I experienced throughout the reading experience, so I’d rank the title, at least, a 10/10.